Ramon Novarro, director George Fitzmaurice and Greta Garbo at work on the set of Mata Hari
Rex Harrison, Randy Stuart and director John M. Stahl during filming of The Foxes of Harrow
Valentina Cortese and director Robert Wise take five while filming The House on Telegraph Hill
Susan Hayward and director George Marshall go over a scene from Tap Roots
Ava Gardner, director William A. Seiter and Robert Walker between shots of One Touch of Venus
The Ernst Lubitsches relax in the sun at the just-opened Arrowhead Springs Hotel in San Bernardino. December, 1939
Red Sundown costars Martha Hyer and Rory Calhoun vie for a piece of cake at a party celebrating Dean Jagger's thirty years as an actor
James Cagney
Olive Borden
Director Yves Allégret and Gérard Philipe on the alpine location of La meilleure part
Director Frank Borzage and Hedy Lamarr in conference between shots of I Take This Woman
Michael Wilding and Joan Crawford hold each other's poodles, as Cliquot and Titi get acquainted on the set of Torch Song
Knowing that one of the secrets to a star's success is making friends with the people who photograph her, Ella Raines gets chummy with the crew of The Suspect: assistants Robert Lazlo and Frank Heisler and cinematographer Paul Ivano
John Howard, Lloyd Nolan, Buster Crabbe and Terry Walker spend a day on the beach
Director Alfred Werker rehearses a scene from The Last Posse with John Derek and Wanda Hendrix
Shirley MacLaine enjoys herself in the company of director Charles Walters and Carmen Phillips while making Ask Any Girl
Writer John Patrick, director Charles Walters, Grace Kelly and music supervisor Saul Chaplin gather on the set of High Society
Vincent Price blows the candles at a party in Harrow, England, celebrating his 100th film, Cry of the Banshee. November, 1969
Irene Dunne and director George Stevens on the set of I Remember Mama
Merle Oberon reads by the pool
Director Joseph L. Mankiewicz gets a point across to the lovely star of Guys and Dolls, Jean Simmons
On the set of Who's Afraid of Virginia Woolf, Richard Burton gyrates with the camera held by cinematographer Haskell Wexler. Director Mike Nichols and Elizabeth Taylor observe
Anthony Mann directs The Heroes of Telemark
Writer Paddy Chayefsky and director Delbert Mann discuss the script of Marty
A scene between Shirley Booth and Eileen Heckart is being filmed for Hot Spell. On either side of the camera, cinematographer Loyal Griggs and director Daniel Mann
Director Robert Wise rehearses one of the key scenes of Born to Kill with the explosive couple formed by Lawrence Tierney and Claire Trevor
Cinematographer Desmond Dickinson (in front of the bulky Technicolor camera) studies a shot of Michael Redgrave for a scene in The Importance of Being Earnest that also features Michael Denison. Overseeing it all is director Anthony Asquith (second from right)
Cinematographer Harold Wenstrom and camera operator Reggie Lanning capture a shot of Chester Morris for The Big House
Clark Gable and John Lodge in the Paramount lunch room
With her husband, Gene Markey, and daughters, Diana and Melinda, on hand at Union Air Terminal to bid her bon voyage, Joan Bennett boards a plane for New York, where she will take passage on the maiden eastbound voyage of Britain's new liner, Queen Mary. June, 1936
On the set of Private Worlds: Charles Boyer, Claudette Colbert, Joan Bennett, director Gregory La Cava (in chair) and cinematographer Leon Shamroy (extreme right)
Standing in the ladder, William A. Wellman gives John Wayne direction for a scene about to be shot for The High and the Mighty
John Wayne, Gail Russell and director James Edward Grant discuss the next scene of Angel and the Badman
Lee Bowman and Richard Carlson share a table at the commissary
Tony Martin holds some rushes of You Can't Have Everything. Also interested in viewing the previous day's footage are chorus girls Lillian Porter, Philippa Hilber and Clarette Ellis, and assistant dance director Harry Joyce
Director Douglas Sirk, Dorothy Malone and Rock Hudson rehearse a scene from The Tarnished Angels
Christina and Joan Crawford make the most of a sunny day in Brentwood
Nathalie, Anthony and Alain Delon
Director Jerry Lewis checks a setup on the set of One More Time
Claudette Colbert, Gary Cooper and Ernst Lubitsch know how to sell Bluebeard's Eighth Wife
Joan Crawford, Douglas Fairbanks Jr. and their abode
Cinematographer Ernest Palmer takes a light reading on Alice Faye and Carmen Miranda for a scene in Week-End in Havana. Sitting next to the camera is director Walter Lang
Henry Fonda and Barbara Stanwyck show how good they are to the director of You Belong to Me, Wesley Ruggles
Marlon Brando, Joanne Woodward, Anna Magnani, director Sidney Lumet and cinematographer Boris Kaufman on the set of The Fugitive Kind
Donald Loomis, physical director of the stars at M-G-M, shows Jean Fenwick a few simple exercises for keeping fit
Laughing time for Michael Caine and director Peter Collinson during filming of The Italian Job
Gloria Stuart spends her leisure time gardening in the patio of her Beverly Hills home
Edmund Lowe snatches a minute from the set of The Squeaker at Denham Studios in London to ring up a friend in Hollywood
An elated Ernest Borgnine holds the best film and actor New York Film Critics awards won by Marty
Director Jean Negulesco, Jean Peters and Walter Brennan on the Lure of the Wilderness location
George Sidney and other actors appearing in The Heart of New York with director Mervyn LeRoy
Rossano Brazzi chats with a friendly studio guard
George Peppard and director Jack Smight rehearse a scene from The Third Day
Lili Damita
Baron Maurice de Rothschild (second from left) pays a visit to the set of The Merry Widow and is welcomed by Maurice Chevalier, Jeanette MacDonald and director Ernst Lubitsch. May, 1934
Celebrating the fifteenth anniversary of Modern Screen magazine, Jimmy Durante entertains Gloria DeHaven, John Payne, Robert Walker, Esther Williams and Van Johnson
Barbra Streisand and director Herbert Ross discuss an upcoming shot in Funny Girl
Director William Friedkin and author-producer William Peter Blatty have a conversation while filming The Exorcist
Director Charles Marquis Warren and Richard Egan during filming of Tension at Table Rock
Director William Wyler and Hugh Griffith see eye to eye on the set of How to Steal a Million
Vivien Leigh, Simone Signoret and Oskar Werner promote Ship of Fools at a press conference
Loretta Young, Stuart Erwin and June Collyer attend a charity polo game. August, 1934
Fredric March and Florence Eldridge go over the text of Thornton Wilder's play The Skin of Our Teeth in their New York apartment. December, 1942
Hal Holbrook and Jane Fonda discuss a scene in Julia with director Fred Zinnemann
Esther Ralston
Hazel Brooks in conference with the director of Sleep, My Love, Douglas Sirk
Norma Shearer and Johnny Mack Brown-- A Lady of Chance
Huckleberry with his owners, James and Lucile Gleason
Robert Stack with his vast collection of cups, medals and statuettes won in shooting, swimming and polo competitions
Marian Nixon (right) and her sister, Linda, are about to move into a new home in Hollywood, and are shown here working on a chenille rug for the new place. May, 1926
William Wyler, Geraldine Fitzgerald and Leo G Carroll sail to Europe aboard the SS Queen Elizabeth
Fred Bailes, Mary Pickford, Francis Lederer and Mary Loos watch a polo game
John Wayne, director John Ford, Jack Pennick and Jeffrey Hunter pose with visitor Dolores Del Rio on the set of The Searchers
Director Victor Fleming and Norma Shearer have fun on the Empty Hands location
Lizabeth Scott resolves to keep her cool in the coming year
Harry James and Betty Grable with daughters Victoria and Jessica
Director Henry Levin and Stefanie Powers during filming of If a Man Answers
Golf enthusiast Oliver Hardy with his trophies
Gregory La Cava and Ann Harding discuss Gallant Lady
Jane Russell and friend
Country bumpkins Kay Francis, Richard Boleslawski, Phillips Holmes and Mrs. Boleslawski at the Cafe Vendome
Rock Hudson, Terry Moore, Robert Mitchum and Marilyn Monroe at the home of director Jean Negulesco celebrating the premiere of How to Marry a Millionaire
Carmen Miranda and Michèle Morgan are taught a new dance called The Chase in a Hollywood night club. The teachers are Nikki Manners and Jim Martine. September, 1946
William Demarest, Sig Ruman, Joan Davis, Thomas Beck and Sally Blane are the actors in the scene being filmed for The Great Hospital Mystery. Director James Tinling is seated at the foot of the bed and cinematographer Harry Jackson is the hatted gentleman at uppermost right
Florence Rice
During the filming of It'$ Only Money, Jerry Lewis engages in conversation with his frequent directors Norman Taurog and Frank Tashlin
Boris Karloff spends quality time with his Bedlington Terriers
Brigitte Bardot, Giorgia Moll, Jack Palance, director Jean-Luc Godard and Michel Piccoli rehearse a scene from Le mépris
Director Fred Niblo and members of the cast of Ben-Hur
Dorothy Wilson
Preparing to shoot a scene from Whiplash: cinematographer J. Peverell Marley, Alexis Smith and director Lewis Seiler
Frequent collaborators Oliver Reed and Ken Russell during the filming of Tommy
Douglas Trumbull directs Natalie Wood in Brainstorm
Natalie Wood, James Garner and director Joseph Pevney on the set of Cash McCall
Director Douglas Trumbull (right) discusses a key shot of Brainstorm with Christopher Walken and Natalie Wood
Diana Dors shows her hairdresser, Raymond, how cleverly decorated her home pool is. August, 1956
Fredric March congratulates Shirley Booth on winning the Oscar for Come Back, Little Sheba. March, 1953
Franklin D. Roosevelt Jr. (right) dances with Dorothy Lamour at the gold plate breakfast closing the birthday ball in honor of his father in Washington. The other dancers are Mrs. John Hay Whitney and Gene Autry. January, 1940
If a film is released on home video as a manufactured-on-demand title, one would legitimately expect it not to come out again as a pressed DVD. MODs are, after all, a consequence of the growing apathy toward physical media. However, the one company...read more.
A classic Billy Wilder story told by Ivan Moffat: "When Mike Todd was killed in a plane crash, he had a man called Art Cohn with him, who was writing-- with Todd's approval, of course-- a biography of him....read more.
Noteworthy film-related artifacts released last month...read more.